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In a world of urgency, there’s little regard to the spiritual, emotional, or physical well-being of musicians. The creative process, often hidden from the listeners, remains a mystery, though we may pick up clues in the songs themselves. Throughout the ten tracks in their new album ‘Let There Be Music’, you can hear the spaciousness Bonny Doon allowed themselves since their 2018 sleeper cult-classic ‘Longwave’. Their latest musical journey is one that has big payoffs for devoted followers and undeniable rewards for anyone just stumbling across the band for the first time.
After extensively touring ‘Longwave’ by supporting Band of Horses, Snail Mail and Waxahatchee, Lennox and Colombo were invited by Katie Crutchfield to collaborate on Waxahatchee’s critically acclaimed album ‘Saint Cloud’. “The experience raised the ceiling on our imagination,” Colombo said. Soon after, Colombo and Kmiecik, whose steady percussion and devotion to the songs creates a container for the indelible guitar lines, both entered a time of serious healing, Jake tending to complications of his Crohn’s disease and Bobby to a brain injury and undiagnosed Lyme disease. While these detours of doctors’ appointments and experimental care were taking place, the members of Bonny Doon were also playing on Waxahatachee’s ‘Saint Cloud’ tour. These obstacles and commitments drew out the making of ‘Let There Be Music’ for several additional years, and in the process, redefined the record as an achievement in perseverance for the band.
Over time Bonny Doon has shifted from being a Detroit band to an outfit spread between California and Michigan, and now Michigan and New York. Despite the new challenge of distance, members Bill Lennox (guitar and vocals), Bobby Colombo (guitar and vocals), and Jake Kmiecik (drums) leaned on their friendship to sustain the collaboration, which has blossomed more than ever on their third album. While many songwriters work in solitude, the back and forth magic of Colombo and Lennox’s process is what gives Bonny Doon their unique voice. The two write and compose each song together, planning writing retreats throughout the year – to gather ideas, edit songs, and give each other feedback, continuing to dedicate themselves to the collaborative effort of being a songwriting team.
On this album we get a glimpse into the pure joy of Bonny Doon. ‘Let There Be Music’ serves as less of one conceptual story, and each song as their own individual offerings of putting words to the ordinary experience of being alive. The band is at their most dynamic and the songwriting deftly explores new terrain. The album is brimming with small truths – both profound and mundane, comforting and difficult – and we are invited to revel in them all.
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